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Leonardo: Discoveries From Verrocchio's Studio: Early Paintings and New Attributions

Bruno Mottin, Rita P. Albertson, Laurence B. Kanter

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Leonardo: Discoveries From Verrocchio's Studio: Early Paintings and New Attributions

by Bruno Mottin, Rita P. Albertson, Laurence B. Kanter
Compare to estimated retail price: S$95.00  

The item you've got your eye on is secondhand. You probably already know that, but just in case!

The estimated retail price shown next to any listed item represents the first-hand prices we've seen elsewhere, or the estimated original retail price of a comparable item of the same quality, construction and material offered elsewhere in new condition.

Leonardo: Discoveries From Verrocchio's Studio: Early Paintings and New Attributions
Leonardo: Discoveries From Verrocchio's Studio: Early Paintings and New Attributions

A fresh detective story of young Leonardo

If you love art history that actually changes the conversation, this feels thrilling rather than dusty. It digs into Leonardo before the legend fully formed, showing how collaboration, technique, and close-looking can reshape what we think we know. Readers who enjoy scholarship with a sense of discovery will find it especially rewarding.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.

Leonardo: Discoveries From Verrocchio's Studio: Early Paintings and New Attributions

by Bruno Mottin, Rita P. Albertson, Laurence B. Kanter
Compare to estimated retail price: S$95.00  

The item you've got your eye on is secondhand. You probably already know that, but just in case!

The estimated retail price shown next to any listed item represents the first-hand prices we've seen elsewhere, or the estimated original retail price of a comparable item of the same quality, construction and material offered elsewhere in new condition.

Condition guide

Book Condition Guide

Books in Like New Condition

This book may contain very minor cosmetic defects, but it is in pristine condition. There should be no yellowing, no foxing, no water damage, and no annotations of any kind on the cover and the pages. For paperbacks, there should not be any crease marks on the spine. This book is good as new — lucky you!

*Books may be missing bundle media (e.g. CD, e-book code), if included.

Books in Very Good Condition

This book has been used, but it is still in a clean condition. There should be no foxing or annotations of any kind on the inner pages, but a sparse amount may be present on the cover, title pages, or outside edges of the book. There should be no water damage of any kind. For paperbacks, there may be light crease marks on the spine.

*Books may be missing bundle media (e.g. CD, e-book code), if included.

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We do our best to ensure the quality of our books, but there is no escaping the wear and tear that comes with time. Slight foxing and some annotations may be present on the pages and the cover. There should be no water damage of any kind. For paperbacks, there may be several crease marks on the spine.

*Books may be missing bundle media (e.g. CD, e-book code), if included.

Books in Well Read Condition

This is a well-read book, which means that the previous owner probably really enjoyed it! The cover and pages may include moderate foxing and annotations, but the text is not obscured and still readable. Moderate cosmetic defects and minor water damage may be present on the edges of the book. For paperbacks, there may be multiple crease marks on the spine.

*Books may be missing bundle media (e.g. CD, e-book code), if included.

 

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ISBN: 9780300233018
Authors: Bruno Mottin, Rita P. Albertson, Laurence B. Kanter
Publisher: Yale University Art Gallery
Date of Publication: 2018-07-24
Format: Hardcover
Related Collections: Art, History, Science
Related Topics: Art History, Drawing, European History, Art and Photography, Historical, Art Books Monographs
Goodreads rating: 4.67
(rated by 3 readers)

Description

Presents exciting, original conclusions about Leonardo da Vinci’s early life as an artist and amplifies his role in Andrea del Verrocchio’s studio. This groundbreaking reexamination of the beginnings of Leonardo da Vinci’s life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in Verrocchio’s workshop, where most works were collaborative and where Leonardo likely learned tempera painting. The book searches for the young artist’s hand among the tempera works from Verrocchio’s studio and proposes new criteria for judging Verrocchio’s own painting style. Several paintings are identified here as likely the work of Leonardo, while others long considered works by Verrocchio or his assistant Lorenzo di Credi may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter’s detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo. Distributed for the Yale University Art Gallery exhibition (06/29/18–10/07/18).
 

A fresh detective story of young Leonardo

If you love art history that actually changes the conversation, this feels thrilling rather than dusty. It digs into Leonardo before the legend fully formed, showing how collaboration, technique, and close-looking can reshape what we think we know. Readers who enjoy scholarship with a sense of discovery will find it especially rewarding.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.

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